What I want from my collections management system

(I’m reposting this from my blog, thinking it might be of interest to participants in the workshop. Not exactly about visualization, but the step before that.. – Steve)

One of the first problems I identified on becoming director of the museum was its collections management system. It infuriated me. The interfaces were arcane. The data was imprisoned in a proprietary system – one that seemed designed to make reports difficult and information sharing impossible. It was complicated, to the point where most of the staff just stayed away and asked the one person who could figure it out to use it.

I’m not mentioning names. It’s a fairly common problem.

Like most collections management systems, it was designed to make registrars happy – and with its careful tracking of changes, its built-in thesauri, its many, many fields – it served the key purpose, and the key audience. It just wasn’t designed to be used to share information.

I looked into changing it, and ran into the perfect storm of bureaucracy, money, staff expertise. Who could tell us what the university might provide as a server? What would it cost? We needed to know more from the vendor. The vendor was in the process of bringing out a whole new system that would solve all our problems, any month now. (A year later, still to come.) Getting straight information was difficult; getting all of the people who would be necessary to understand how that information would work in our context into one room, real or virtual, was almost impossible.

And so I put off a decision on replacing the software, and looked into other possibilities. What if we kept the collections management system and occasionally dumped the data from it into an online system like Omeka? What if we set up a database server online? How about the Library of Congress’s Recollection? The data, it turned out, was pretty well trapped in our existing system. Who owns that data, anyway? There should be a guarantee, with any system, that you can get your data out.

A year later, I’ve started to consider this again.

Let’s consider first what I want a system to do. It needs to serve the registrar, of course. But what if my goal was not only to keep track of what we have at the museum, but rather to make the information about it available as freely as possible? What if I wanted to not only let users search it and view it online, but also to link to it? The point of a thesaurus is to allow for interchange, after all. Why shouldn’t they be able to download the parts of the database useful to them, to do with it whatever they like? Why can’t there be ways to call up collections from several museums to compare? Or to consider as a single whole? Anthropology museums use “cultures” to categorize their collections – why can’t I see all of the objects from a “culture” in all museum collections?

Museum collections systems now are instruments of control over objects. That’s the word librarians and registrars use: physical control and intellectual control. But what if we said they are instruments of access, first? Take control for granted, and think about ways to make the information available. That’s what makes museums useful.

I don’t know if information wants to be free, but I want my information freed!

3 thoughts on “What I want from my collections management system

  1. Steve,
    I wan the collections to be searchable though Google, et.al. , I want users of the database to be able to comment, tag, instruct and complain. I’m not smart enough to know how to get the datasets to download into my realm. In any case, I want the user to be motivated to come and gawk at the dang thing.
    Greg

  2. I do think that we are in need of “commons” efforts that breaks down barriers rather than enforces them. And I think that the linked open data for libraries, archives, and museums (LOD-LAM) movement is really trying to deal create that commons by trying to link objects across the web using a common vocabulary. There is some good stuff on the lod-lam.net site, including this video from Europeana on Why LOD is important, http://lod-lam.net/summit/2012/02/20/linked-open-data-what-is-it-and-why-is-it-good-for-you/, and this on vocabulary: http://lod-lam.net/summit/2012/01/12/vocabulary-alignment-meaning-and-understanding-in-the-world-museum/).

    Last week, I was giving an Intro to Omeka workshop, and while I was showing one exhibit site, someone asked if the user could click on a name or term (“Martha Washington”) and then find all other related information available on the web. He was asking for the capability of linked open data, without realizing that is what he asked for. I want to make that possible, but we’re not quite there yet (and we are trying to figure a way to make it happen in Omeka specifically).

    Some the biggest challenges I see are in managing and re-working data that already exists online, and if it’s not online making raw data available on the web in the first place, so that it can be linked and readable in a standard way. LOD-LAM seems to have the greatest potential for letting everyone see connections of cultural heritage objects across the web, and also stay within your web space.

  3. Pingback: Reflections on Building the Digital Blue Ridge Parkway | Visualizing the Past

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